czwartek, 30 czerwca 2011

Ref: UK/9420X2/68

The British National Lottery
P O Box 1010
3b Olympic Way, Sefton Business Park,
Aintree, Liverpool , L30 1RD
(Customer Services)

Ref: UK/9420X2/68
Batch: 074/05/ZY369
Ticket number:56475600545 188
Lucky Numbers: 05,06,17,20,28,42(Bonus33)

WINNING NOTIFICATION:

We wish to congratulate and inform you on the selection of cash prize
£1,000,000.00 (British Pounds) held on the 29th June 2011
in London Uk.The selection process was carried out through random
selection in Our computerized email selection system (ess) from a
database of over 250,000 email addresses drawn from which you were
selected. And Your e-mail address attached to ticket number:
56475600545 188 with Serial number 5368/02 drew the lucky numbers:
05, 06, 17, 20, 28, 42 (Bonus 33) ,which subsequently won you the
lottery in the 1st category i.e match 5 plus bonus.

You have therefore been approved to claim a total sum of 1 Million
Pounds,(One Million Pounds) in cash credited to fileKTU/ 9023118308/03.
This is from a total cash prize of £1,000,000 Million Pounds,shared
amongst the (4)lucky winners in this category i.e Match 6 plus bonus.
For due processing of your winning claim,please contact the
FIDUCIARY AGENT Information Officer Mr. Fred Peters who has been
assigned to assist you. You are to contact him with the following
details for the release of your winnings.

Agent Name: Mr. Fred Peters
Tel: +447024051534
+447024013832
Email:mr.fredpetersagent2@yahoo.co.uk

Contact him, please provide him with the following Requirements below:

Claims Requirements:
1.Name in full----------------------
2.Address---------------------------
3.Nationality-----------------------
4.Age-------------------------------
5.Occupation------------------------
6.Sex ------------------------------
7.Phone/Fax-------------------------
8.Present Country-------------------

If you do not contact your claims agent within 5 working days of this
Notification, your winnings would be revoked. Winners are advised to
keep their winning details/information from the public to avoid
Fraudulent claim (IMPORTANT) pending the prize claim by Winner.

*Winner under the age of 18 are automatically disqualified. *Staff of
the British Lottery are not to partake in this Lottery.

Accept my hearty congratulations once again!

Regards
Mrs. Stella Ellis
(Group Coordinator
Note that you are not to reply to this E-mail,please contact your
claims officer directly to start the processing of your claims
application form.

New Photography Tips for THIS Weekend (DPS)

 
  DPS - Digital Photography School

Tutorials      Gear      Post Production      eBooks      Forum

SUBSCRIBER OPTIONS
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self-portraiture.jpgIssue #174 - Welcome to another weekly update from DPS!
 
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<li>   Assignment: Vertical Lines [next week: Independence]
<li>   Weekly Challenge: Negative Space
PHOTOGRAPHY
TIPS & TUTORIALS

<li>   6 Winning Ways to Work Wide

<li>   8 Photo Projects in Your Backyard

<li>   3 Minutes with Photographer Kelly Castro

<li>   Watch a Street Photographer on a Shoot [VIDEO]

<li>   Benefits of a Reverse Gradient Neutral Density Filter

<li>   Using Water to Lighten Landscapes

<li>   F. Scott Schafer: Photographer Spotlight

<li>   11 Inspirational Image Collections

    SEE MORE ARTICLES    
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Remarkable Road Images
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The Millionaire Secret Formula Revealed

__________________________________________________

                David Frey's
       www.MarketingBestPractices.com
             Marketing Newsletter

__________________________________________________

TODAY ARTICLE...

   "The Millionaire Secret Formula Revealed"
  

If I asked you if you would like to become a
millionaire, you would not only say, Yes!, but you
would probably say, HECK YES!

Well, I have a very simple plan for becoming a
millionaire.

And it really just boils down to simple math.

A million dollars is expressed as $1,000,000.

So if you can sell 500 units of a $2,000 product,
you'll generate $1,000,000 in revenue.

Conversly, if you can sell 200 units of a $5,000
product, you'll generate $1,000,000 in revenues.

When you know this math, the next logical question
is...

What $2,000 product or service can I reasonably sell
500 units of this year?

Conversly, you can ask yourself, what $5,000 product
or service can I sell 200 units of this year?

You see, once you start channeling your thinking
like this, ideas will begin to pop into your mind as
to how you can achieve your goal of generating
$1,000,000 dollars.

_________________________

It's Even Simpler...
________________________

...when you think about it this way.

Let's say that you decided to sell 500 units of
something for $2,000 a piece.

That means you would only have to sell 41 units a
month or a little over one unit a day.

So now you have to ask yourself, what $2,000 product
or service can I sell at least one or maybe two a
day of?

If you decided to sell 200 units of a $5,000 product
you would only have to sell 16 a month or 1 unit
every 2 days.

I hope this is starting to channel your thinking.

I know, you're probably saying...

____________________________________________

"But I Don't Have a High Ticket Product!"
___________________________________________

I used to say that too. In fact, the was the
achilles heel of my infomarketing business.

So here's a million dollar idea.

SELL SOMEONE ELSES HIGH TICKET PRODUCT!

Yes, you can do this even if you're an offline
business. Find a complimentary product that you can
sell on behalf of someone else and take a
commission.

I do this a LOT in my own business through joint
venture webinars with partners that sell high
quality products and services.

For instance, if you're a pool builder, add a
landscaping department to your business and
subcontract all the work to a landscaping company.

Of if you're a chiropractor, you can start a weight
loss dept. I know one chiropractor that generates
over $1.5 million a year EXTRA through his HCG
weight loss clinic.

________________________________________________

My Top 10 Ideas for Creating High End Products
________________________________________________


Idea 1. Add a high ticket coaching program on to
what you do. People will pay to dollar to get
coached by experts.

Idea 2. Create a software product that compliments
your product or service and sell it for a one time
fee of $1,997.

Idea 3. Create a high ticket training course with
your product or service.

Idea 4. Offer a lifetime service or warranty package
for 4 installments of $500.

Idea 5. Offer a "destination" mastermind or group
coaching program where you meet in an exotic place.

Idea 6. License your program or content and sell
that license for $5,000. You might even consider
franchising your business.

Idea 7. Transform your product into a packaged
done-for-you service that you can sell for $2,000 -
$5,000.

Idea 8. Bundle your product or service with
complimentary products that you either license or
buy at a discount to create a "total" turnkey
package that you sell for $3,000.

Idea 9. Target a specific niche and add specific
functions that are peculiar to that niche to create
a highly specialized, high end, product or service
that you sell for several thousand dollars. 

Idea 10. Find high ticket products that are
complientary to yours and create a strategic
alliance with those companies in which you earn a
significant commission for referring people to their
products.

For every product or service there's usually some
type of high ticket program that you can offer your
customers.

And it only takes selling one or two a day to
generate a million dollars a year in revenue.

Imagine if you were to sell 3-5 units a day!

If you could do that, you would have ample money to
buy advertising that would generate leads to your
business that would allow you to sell perhaps, even
more that 5 units a day.

That would be cool, wouldn't it.

I hope this article has jumpstarted your thinking
about how you can create or assemble high ticket
programs that will generate million dollars plus in
revenue for your business.

_______________________________________________

Want to Master the Art of Big Ticket Selling?
_______________________________________________


If you want to master the big ticket products or
service sale, then you need this program.

http://www.TheBigTicketMasters.com

(paste the link into your browser)

This is just a glimpse of what you'll discover in
this valuable program:

1. The #1 question to ask yourself when choosing how
to price your high-end products and services

2. How to create high-value proof even when you are
just getting started in a new industry

3. How to use bootcamps and seminars to grow your
audience, credibility and charge premium fees as a
coach

4. The #1 reason you're not closing more high-ticket
sales in your business..,and how to turn this around
fast

5. How to "dollarize" your intangible products and
services so that saying "yes" is a simple no-brainer
answer.

6. 4 tried-and-true strategies you can use to
promote your high-end services through launches

7. The 6-step Big Ticket Strategy to making and
marketing your products with success

8. 2 quick techniques you can add to closing more of
your online relationships for your big ticket
products

Again, I highly recommend you serious consider
investing this program if you sell (or want to sell)
big ticket programs.

http://www.TheBigTicketMasters.com

(paste the link into your browser)


Have a great day!

David

P.S. Today I'm writing this message from Lake DeGray
in Arkansas. I'm out here camping with the Boy Scouts.
I'm having a great time and I hope you are too!

______________________________________


David Frey is the CEO of
MarketingBestPractices.com
and the author of the Small
Business Marketing Bible.




______________________________

Marketing Best Practices Inc.
306 W. Edgewood Dr. Suite F,
Friendswood, TX 77546

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środa, 29 czerwca 2011

From ideabook.com: Chuck Green's Design Likes > Issue 110


Chuck Green's Design Likes
Dear Ed -- thanks for subscribing.

I like to do different things and I like do things differently. I'm sure it makes me a pain to be around at times. Whenever there's an obvious solution to a problem, I feel compelled to figure out and offer a different solution. Is it just me or is it some inherent designer trait?

Be well, Chuck 


Check out my Adobe InDesign Ideabook: 315 template files in 19 different categories
Everything from brochures, newsletters, and direct mail to packaging, calendars, and books (one CD works with both Mac and PC). Use two or three files and you'll pay for the entire book and disc...

 


How to design for letterpress printing

If you've never designed a job for letterpress printing, you should know the parameters. Following are three options for learning. For a quick overview: a checklist, for a more complete overview with illustrations: an article from HOW Magazine, and for uber-detail: a webinar from Paper Specs.

Here > The Webinar from PaperSpecs.com...

Here > An article that accompanied the Webinar...

Here > The HOW Magazine article by Kat Feuerstein...

Here > And the Boxcar Press checklist...

Discuss this topic here... 
 

 
A great designer is wonderfully different

I rarely point you back to the same place - once you've seen it I assume you'll look again if you're interested. But in case you missed it, Kelli Anderson has, again, demonstrated her passion for different.

An invitation in the form of a paper record player...

Here > A paper record player...

Here > Her description of the project...

Here > My original post about Anderson: This is why I want to be a designer...

Discuss this topic here...


 
Giraffe.net has a whimsical look but a serious interface

I think the design of giraffe.net, a franchise restaurant chain in the United Kingdom, is worth pointing to.

Here > It's busy but upbeat...

Here > There are lots of unusual actions in the rollovers...

Here > It has a whimsical feel but there are lots of impressive features...

Here > The site was designed by Engage Interactive...

Discuss this topic here...



Behind the scenes at the 2011 InDesignSecretsLive Print and ePublishing Conference

I'm just back from the aforementioned conference and I thought I'd sit down and share some impressions. My hope is that, if you don't normally attend these events (I don't either), that you might be interested in the goings-on...

First impression: It's a global thing.

Roughly 400 folks attended the conference from 33 states and 11 countries - I believe it was a sell-out. I heard mention of Australia, Hong Kong, Serbia, Belgium, United Kingdom, Guatemala, and others. I know that kind of diverse participation is no great revelation to people who move in design and software circles frequently, but to someone who doesn't, I am particularly aware of the privilege it is to be a part of this type of international event.

It's a community.

Equally as interesting is the sense of community I felt. Designers, geeks, authors, and designer-geek-authors have much in common. Many of us are most comfortable in designing our world and staying within its bounds - so it's particularly exciting to be with other folks who spend so much of their lives on the same layer. I love my wife, but she couldn't care less about which device and software I use to calibrate my HP ZR30w monitor (thank goodness). Occasionally, it's a good idea to sit with people whose brains are trying to solve similar problems and attain similar outcomes.

There is no single voice.

For some reason I had the expectation that I would hear one side of things. Yes, that sounds silly in hindsight, but that's what I was thinking. The reality of it reminds me that there are as many workflows, approaches, and opinions about design and production as there are people doing it. For example, I sat in a session with the InDesign development team who all seemed to think that it should be the printer's responsibility to produce final production PDFs from native InDesign files. That was followed by the "Long Live Ink" roundtable with Design Tools Monthly editor Jay Nelson and prepress troubleshooter and Adobe Certified Instructor James Wamser both of whom seemed to think the opposite - that most jobs are best prepared for printing by the user (using the printer's guidelines).

E-publishing is in its big-bang stage.

There are MANY ways to create and view e-publications and MANY devices and platforms on which to view them. That's about all anyone agrees on. Which software and software settings to use (including InDesign's EPUB export) will be dictated by the device you're preparing your publication for, the complexity of the document, the intended distribution channel, and so on. As conference organizer David Blatner pointed out, you can't, for example, produce PDFs to sell through Apple - not because you can't produce them, not because the iPad can't read them, but because Apple doesn't yet allow you to distribute them through iBooks.

There are also significant design considerations to be tackled. When you convert page layouts for different devices and orientations, you'll need to design different layouts for each setting or create simplified, "elastic" layouts that adapt to multiple uses. I heard someone refer to that conversion as changing your layout into a Microsoft Word document.

Software developers and designers alike are in the very early stages of figuring out how to recast information in ways that are compatible with the new devices yet as aesthetically pleasing as print and conventional web page design. I think even the folks at Adobe would agree that (for now), that InDesign's EPUB export is not for creating e-versions of complex layouts.

Chris Kitchener, Senior Product Manager for Adobe InDesign, "Meet my extended family," 2011 InDesignSecretsLive Print and ePublishing Conference (doctored image)

The best early tools are expensive.

It's not surprising that the tools that allow the most control over page layout and effects are being developed for the upper echelon of the publishing trade. James Fritz, another respected author and trainer, discussed some of the many platforms used to create digital versions of magazines - Adobe Digital Publishing Suite, WoodWing's Digital Magazine Tools, Mag+, and others - and the fact that the new pricing models require both upfront fees (most in the thousands of dollars) for the initial content management systems and ongoing monthly or per-piece publication fees. (The good news is that by the time you read this [a couple of hours after I write it] everything will have changed.)

Much of what I learned was from the audience.

I went because of the featured speakers but I learned lots from the audience too. Questions, suggestions, and comments from audience members were every bit a useful as those from the assembled experts. For example, in one session, Eddy Hagen, the managing director of VIGC in Belgium offered some excellent insights on the production of PDFs and pointed us to his own Flemish Innovation Centre for Graphical Communication and the Ghent PDF Workgroup. There we're lots of high-powered users and experts in the audience.

Technology is a moving target.

No revelation here, but it is impressive when a presenter changes her slides in the hours just preceding her presentation because of some new tidbit of information. From his view inside Adobe, the Lead Product Manager for Adobe InDesign, Chris Kitchener, explained the perplexing process of gathering suggestions for new features, fixing bugs, and working with engineers to update a program as complex as InDesign. It's easy to forget the divergent pressures applied by users, reviewers, stockholders, partners, marketers, and so on to influence the decisions about which features or fixes to produce when and why.

BTW, the Adobe team was particularly impressed by and thankful for this blog post which explains that InDesign is a database and why, for example, files are not backward compatible.

There is a modicum of tension between Adobe and its community.

One of the most intriguing revelations of the experience was the respectful tension there is between the product producers and their users. All of it was friendly and in good humor, but it's obviously, a real issue. Adobe wants everyone to like its products and users are great at pointing to flaws. None less than Michael Ninness, now the VP of Content for Lynda.com, formally the Senior Product Manager for InDesign, rose to ask the current Senior Product Manager when certain features (such as charting) would be added to InDesign. It was all good-natured (especially when Ninness pointed out that he, himself, hadn't added the feature when he could have), it is a complicated dance.

There are few better venues for meeting the people you want to meet.

I had the pleasure of meeting, face-to-face, some of the many people I communicate with online and introducing myself to others I would not have otherwise had the opportunity to meet.

First and foremost I got to meet and speak with one of the conference organizers, David Blatner. My only complaint about the entire conference is we didn't hear more from David. He is a smart, personable guy who knew as much or more about InDesign (from a user standpoint) as anyone in attendance.

If you don't know Blatner, he's the editorial director of InDesign Magazine, wrote Real World InDesign (and 14 other books), teaches courses on InDesign at Lynda.com, and co-hosts InDesignSecrets.com with Anne-Marie Concepción.

Their combined experience with InDesign, the InDesign community, and Adobe corporate made David and Anne-Marie uniquely qualified to pull together this wide and deep gathering of designers, technicians, and developers.

If you don't know Anne-Marie Concepción, she too teaches courses on InDesign at Lynda.com, does the InDesignSecrets.com thing, plus rules her own creative empire at Seneca Design & Training.

This was also an opportunity to sit with Jay Nelson and Lesa Snider. Jay is the affable publisher of Design Tools Monthly, the only industry publication I read cover to cover, every issue. It was a real treat to spend some time comparing notes with someone else who is as interested as I am in finding and sharing the the best of design and publishing ideas. Lesa is a writer for Macworld, author of numerous books, chief evangelist for iStockphoto.com, and host of graphicreporter.com.

I also had the good fortune to have one-to-one discussions with conference speakers Gabriel Powell, InDesign and Photoshop author and Senior Solutions for Typifi Systems, Ron Bilodeau, the Production and Design Specialist at O'Rielly (who once worked for the beautifully designed Cooks Illustrated), Chris Kitchener, Lead Product Manager of Adobe InDesign, Nigel French, the author of InDesign Type (who spoke about designing with a grid), and Cari Jansen, a technical writer and print and publishing consultant who spoke about the challenges of this new medium.

And I gathered some great insights from Keith Gilbert, a brilliant tech- and design-savvy guy who spoke about XML and data publishing and who showed me an impressive project he had just finished. It's a beautifully designed iPad-based catalog/brochure his client's sales force will use at an upcoming trade show.

All that and, of course, all of the good stuff I learned (I just downloaded a 344-page PDF of conference slides that Anne-Marie Concepción made available to those who attended.)

Finally, most happily, I got to meet a few folks who subscribe to my newsletter at ideabook.com and who read my blog at PagePlane.com. Thank you all for introducing yourselves. (If I didn't get your business card please send me an email so we can stay in touch.)

So... where's the 2012 conference?

Discuss this topic here...



Recent Tweets from http://twitter.com/ideabook
and posts from  http://www.facebook.com/ideabookfb

What's your opinion of design contests?
Here > http://tinyurl.com/6ygtqxg

In case someone is not familiar with Google Alerts: You identify a subject or set of keywords and Google sends you related search results on the schedule you define. Very useful...
Here > http://tinyurl.com/5tw7b

A new typeface family from Hoefler & Frere-Jones: Ideal Sans...
Here > http://tinyurl.com/3snnkxp

Nice illustration by Matt Kaufenberg...
Here > http://tinyurl.com/6a2brv7

Official news release on Adobe Creative Suite 5.5...
Here > http://tinyurl.com/3kol4sm

Nice, old-fashioned, utilitarian ad from the Duke University collection...
Here > http://tinyurl.com/3g98bwf

Von Glitschka always has his ear to the tracks on Adobe Illustrator. As he points out, there is no indication if this is an actual sneak peak at the next iteration of Adobe Illustrator, but it certainly looks plausible...
Here > http://tinyurl.com/3cwfap9

For those interested in a mobile framework -- jQuery Mobile: Touch-Optimized Web Framework for Smartphones & Tablets...
Here > http://jquerymobile.com/



There's lots to be learned from self brand packaging design and marketing philosophy


Retail, self brand packaging it an expertise unto itself. Communication Arts recently recognized Terri Goldstein's Goldstein Group for their makeover of Luden's Throat Drop packaging and that led me to their site and portfolio.

As you parse it, you realize how complex it is to design something that both captures attention and communicates the big picture in a matter of moments. It requires sophisticated research, an understanding to consumer behavior, and executions that use a mix of messaging, color, custom typography, depth and movement, and storytelling symbolism.

I think there's much to be learned here. The challenge is to translate these techniques to conventional print and digital materials.

Here > The Moonpie story...

Here > The before version...

Here > Lots of messaging here...

Here > I found their proprietary processes particularly interesting: Shelf Sight Sequence, 4D Naming, Brand Renewal, and Brand Launch...

Discuss this topic here...



Create an iPad app using Adobe InDesign


If you're in need of a quick solution for creating an iPad compatible publication/app, I've seen a demo of a product that might interest you. Twixl Publisher is a plug-in (and service) of Twixl Media. It allows you to create a publication/app which can include features such as links, audio, video, slide shows - even a storefront.

Simply put, you create the document in InDesign and then save it using Twixl Publisher. How it works from there depends on the license you purchase. For example, you can purchase a standard license for $1400 and pay $350 for the final build of each app you create and you can purchase an advance license for $7100 and publish as many apps as you want without an additional charge.

I haven't used Twixl Publisher but, having seen some of the other solutions, it looks like a reasonable price. In essence, first time out, you're publishing an app for under $2000.

Have you used Twixl Publisher? Please comment here and share your experience with us.

Here > A quick demo...

Here > The features...

Discuss this topic here...



From the Ideabook.com Design Store

IDEO Method Cards
Here > http://www.ideabook.com/ideo_method_cards.html

Tintbook CMYK Process Color Selector: A palette of 25,000 CMYK process colors in print...
Here > http://www.ideabook.com/store_tintbook.html

Color Harmony Guide: From French designer Dominique Trapp...
Here > http://www.ideabook.com/store_color_harmony.html

Communicating With Color: Based on Leatrice Eiseman's seminars on the psychology of color...
Here > http://www.ideabook.com/store_pantone_guide.html

The Copywriter's Handbook: Bob Bly's classic guide to copywriting...
Here > http://www.ideabook.com/store_copywriters_handbook.html

Graphic Design, Referenced: A Visual Guide to Graphic Design: One of my favorite design books...
Here > http://www.ideabook.com/store_copywriters_handbook.html

Getting it Printed: How to wrestle control of your printed work...
Here > http://www.ideabook.com/store_getting_it_printed.html
 


About the briefing

I try to remain as objective as possible about the information I share here. Unless I tell you otherwise, I receive no compensation from the organizations and people mentioned except for occasional product samples. Comments? Suggestions? Write me at chuckgreen@ideabook.com 


Chuck Green

This email was sent to taniaspirulina@o2.pl by chuckgreen@ideabook.com |  
Chuck Green's Ideabook.com | 11475 Chickahominy Branch Dr | Glen Allen | VA | 23059

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wtorek, 28 czerwca 2011

GIFT FROM Madam Mrs. Lilina Chicho.



Dear friend,

I am Mrs. Lilina Chicho and i have been surffering from ovarian cancer disease and the doctor says that i have just two days to leave.I am from (Lhasa) China but based in Africa Burkina Faso since eight years ago as business woman dealing with gold exportation.Now that i am about to end the race like this,without any family members and no child.I have 2 Million US DOLLARS in Africa Development Bank (ADB) Burkina Faso which i instructed the bank to give St Andrews Missionary Home in Burkina Faso.But my mind is not at rest because i am writting this letter now through the help of my computer beside my sick bed.


I also have 4.5Million US Dollars at Ecobank here in Burkina Faso and i instructed the bank to transfer the money to the first foreigner that will apply to the bank after i have gone that they should release the fund to him/her,but you will assure me that you will take 50% of the money and give 50% to the orphanages home in your country for my heart to rest.You are to contact the bank through this email address: bf_ecobank@rocketmail.com
Yours fairly friend,
Madam Mrs. Lilina Chicho.

This 5% Rule Can Make Your Rich

__________________________________________________

                David Frey's
       www.MarketingBestPractices.com
             Marketing Newsletter

__________________________________________________

TODAY'S ARTICLE...

        "This 5% Rule Can Make Your Rich"

Jay Abraham, a marketing legend, is perhaps the high
paid marketing consultant in the world.

When he does consulting for companies, he
immediately looks for, what he calls, "hidden
assets."

These hidden assets are opportunities lying dormant
in your business that are just waiting to be
exploited.

Usually, it doesn't take hardly any effort at all to
start generating revenue from these hidden assets.

Many of them simply need to be "turned on" and cash
immediately starts flowing into your business.

Today, I'd like to talk to you about one of these
hiddent assets that are just lying there, dormant in
your business, waiting to be turned on so that
revenue can start to flow.

But, first let me tell you a quick story, which will
give you a great example of this hidden asset.

___________________________

Meet Mr. X from Utah
___________________________

I have a customer who has become my friend. We'll
call him Mr. X. He's a very successful financial
advisor.

Every now and then we talk on the phone and he tells
me about all the programs he's purchased recently.

These are not cheap programs. These are $997 and
above programs.

Every time I talk to him I think to myself, "If I
would have just offered a product like the one he
just bought, he would have been happy to purchase it
from me instead of the other guy.'

I'll bet there are a lot of other people who are out
there reading my newsletter, following me on
Facebook and Twitter and watching my videos that...

1. Like and trust me

2. Have a lot of money to spend

and who...

3. Wouldn't think twice about spending it with me.

And YOU Have People Like that Too!

____________________

The 5 Percent Rule
____________________


I guarantee that about 5% of your followers,
prospects and customers like and trust you, have a
lot of money to spend, and wouldn't think twice
about spending it with you.

I call it the "5 Percent Rule."

There's always a small percentage of people who are
"hyper responsive" buyers who are ready and willing
to spend a lot of money with you.

The only thing stopping them is that you DON'T HAVE
A HIGH TICKET PRODUCT to offer them!

So instead of spending their money with you, they'll
go and spend their money with someone else who IS
offering a similar high ticket product.

That small 5% could account for 80% plus of your
revenues!

So I hope this has forced you to think about what
high ticket product you can start offering today.

I can tell you for a surety that if you're not
offering any high ticket products, you're missing
out on a lot of money.

It's one of those "hidden assets" that you can
easily exploit to start generating more revenue
today.

______________________________

Want to Master the Art of
Big Ticket Selling?
______________________________


If you want to master the big ticket products or
service sale, then you need this program.

http://www.TheBigTicketMasters.com

(paste the link into your browser)

This is just a glimpse of what you'll discover in
this valuable program:

1. The #1 question to ask yourself when choosing how
to price your high-end products and services

2. How to create high-value proof even when you are
just getting started in a new industry

3. How to use bootcamps and seminars to grow your
audience, credibility and charge premium fees as a
coach

4. The #1 reason you're not closing more high-ticket
sales in your business..,and how to turn this around
fast

5. How to "dollarize" your intangible products and
services so that saying "yes" is a simple no-brainer
answer.

6. 4 tried-and-true strategies you can use to
promote your high-end services through launches

7. The 6-step Big Ticket Strategy to making and
marketing your products with success

8. 2 quick techniques you can add to closing more of
your online relationships for your big ticket
products

Again, I highly recommend you serious consider
investing this program if you sell (or want to sell)
big ticket programs.

http://www.TheBigTicketMasters.com

(paste the link into your browser)


Have a great day!

David

P.S. Did you know that I make a lot of money every
month from a little home business that I started
over 5 1/2 years ago. It's true.

To be successful at this home business you only have
to do 3 simle steps. Hence, it's called the "3 Step
System."

If you're interested in partnering with me in this
business, I'd like to invite you to watch this brief
video message.

http://www.MyUltimateHomeBusiness.com

______________________________________


David Frey is the CEO of
MarketingBestPractices.com
and the author of the Small
Business Marketing Bible.




______________________________

Marketing Best Practices Inc.
306 W. Edgewood Dr. Suite F,
Friendswood, TX 77546

To unsubscribe or change subscriber options visit:
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poniedziałek, 27 czerwca 2011

Glückwunsch!!!

INTERLOTTOEUROPE/BONO LOTTO PROGRAMM
MADRID OFFICE OFFIZIELLE MITTEILUNG
VON SITZ DES PRASIDENTEN
INTERNATIONALE PROMOTION-GEWINNZUTEILUNG
REFERENZ NUMMER: MH25456010-ESP
CAPITAN HAYA 53,PLZ 3,MADRID SPAIN

Glьckwunsch!!!

Hiermit informieren wir Sie darьber, dass Sie durch Ihre Teilnahme bei der Neujahr Promotion der am 27th June 2011, mit Ihrer namentlichen Regristrierung vom 15th June 2011 unter der Losnummer 031-1127-841 mit der Seriennummer 2364-58, automatisch fьr die Losziehung der 3 (dritten) Kategorie unter Ihrer persцnlichen GLЬCKSNUMMER 21-22-37-39-41-49 angemeldet wurden.


In dem Jackpott der 3 Kategorie, befanden sich unglaubliche Ђ 30.000.000.00, EUROS (DREIЯIG MILLION EURO)!!!Sie dьrfen sich zu den glьcklichen Gewinnern dieses Jackpotts zдhlen, und haben somit insgesamt Ђ800.000.00 (ACHT HUNDERT TAUSEND EURO) gewonnen, Herzlichen Glьckwunsch!!!


Ihr Gewinn wird momentan unter Ihrem Namen bzw unter dem Referenzsnummer: MH25456010-ESP bei unserer Sicherheitsfirma verwart. Da es sich bei Ihrem Gewinn um einen grцsseren Betrag handelt, mцchten wir Sie in Ihrem Interesse darum bitten, diese Angaben, insbesondere Ihren Code, niemandem anzuvertrauen, damit gewahrleistet ist, dass Sie den alleinigen Anspruch auf Ihren bereits oben genannten Gewinn haben.
Um Ihren Lotteriegewinn zu beanspruchen, wenden Sie sich bitte an Ihren persцnlichen Betreuer, Dr Carlos Fernandez Foreign operation ANTON VERSICHERUNGS FIRMA SA unter der Telefonnummer: 0034 603 168 046 oder Email: ( antonochandos@yahoo.es ) ,damit wir Ihnen Ihren Gewinn auszahlen, bzw auf das Konto Ihres Wunsches ьberweisen kцnnen.

Bitte beachten Sie, dass jeder Gewinn nur bis zum 20th July 2011 ausgehдndigt werden kann, da ansonsten Ihr Anspruch auf das Geld ungьltig wird, und danach Eigentum des MINISTERIO DE ECONOMIA Y HACIENDA WIRD!
Ausserdem informieren wir Sie darьber, dass Ihr Gewinn bis zu Ihrer Anfrage bei der ANTON VERSICHERUNGS FIRMA SA unter Ihrem Namen versichert wurde und daher Ihr Gewinn-Betreuer 10% Ihres Gewinns zustehen. Die IGNACIO VERSICHERUNGS FIRMA SA. wьnscht Ihnen viel Spass mit Ihrem Gewinn!

BITTE AUSFUILLEN DEIN DATAS AUS UNTEN.,

1.NAME___________________________________

2NACHNAMEN________________________PLZ______________

3.ADRESSE-------------------------------------------

4.NATIONALITAT:_____________________BERUF_____________

5.GEBURTSDATUM:_______________________________________

6.STAT:_______________________________________________

7.TELEFON:____________________________________________

8.MOBIL:______________________________________________

9.FAX:________________________________________________

10 GESCHLECHT:_____________E-MAIL ADRESSE________


Die oben genannten
Anforderungen sind erforderlich.
Gluckwunsche noch einmal.
Herzlichs


MRS TRACEY DIDANE
VICE PRESIDENT

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